Typecast #16: Oops, We Did It Again!

Hey Gang, welcome back!
We’ve got another special installment of the Typecast for you here.
Remember that time Fitz and I did a Typecast (it was #9) and turned it into a podcast (which you can listen to here or read here)?
Well, as the title above suggests, we done gone and did it again!

This time around @Fitzman73 and I read issue 17 of the old Marvel Star Wars comic, and had a great conversation that you can listen to by going to this link:

http://justjumptotheend.libsyn.com/bonus-episode-2-oops-we-did-it-again

This conversation appears just as it was had, spelling and grammatical cock ups intact, to maintain the honesty of the whole thing.

The good sir Fitz’s name will appear in red and link to his podcast that he does with his sister, @Tacky1Z, Just Jump To The End, available at http://JJ2End.com.

Big thanks to Fitz for doing this again and putting in the hours to record and edit.
All that said, take it away me…

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ThatScoobyDoom: For those that have been paying attention to our read throughs of these old Marvel Star Wars comics, we’re skipping ahead a bit this time around to issue 17 which is a stand alone prequel to Episode IV.

Before we get balls deep into it, you’ve said before that finding issues back then was hit and miss, is this one of the issues you were able to pick up back in the day?

@Fitzman73: Ya know I honestly don’t remember.

I don’t think so, this issue didn’t ring any bells the first time I read it in the omnibus, but it’s possible.
I’ll check in a minute.

This is a really odd issue, and you’re right it really is a “prequel”, and it’s really crazy how similar some of it is to what we would see in Episode I, or even in the EU novel Kenobi that came out a few years ago.

ThatScoobyDoom: Interesting.

Without getting too far ahead of ourselves, it was definitely memorable for me, but I’ll get into that later when we get to the story.

I still haven’t read Kenobi, but yes.
This issue feels like it has been REALLY influential to alot of stuff in the years since!

Let’s get into it starting with the cover, what do you think of it?

@Fitzman73: I liked the cover actually.
It felt like a movie poster.
It incorporates elements from the story that were more or less depicted accurately, unlike some of the bait and switch covers we saw earlier in the series.

It’s not terribly busy either, and the colors are all sane choices, again, not like the whacked out bright gaudy colors we’ve seen before.

There’s no interior credit for the cover artist, but you can see the person’s signature in the bottom left corner, and unless I’m very much mistaken, this cover was done by legendary X-men artist Dave Cockrum, who had a long run with Chris Claremont on that book in the 70s.

Which….brings me to my first revelation with this issue and that is the plot of this story is actually credited to who?
Chris Claremont.
Small world the 70s were.

ThatScoobyDoom: Agreed.

It truly gives the feel with no weird crap like those 1st 10.

I will admit though that the cover scared me, seeing SPECIAL ISSUE and knowing it’s a stand alone story made me think this was gonna be nothing but BS filler worth less than the paper the original was printed on.
Was shockingly wrong in that assumption.

Yeah, I’d say given Claremont’s involvement, that’s a safe bet.
I’ve never read his X-Men run but I know it’s beloved.
If this is any indication of his work on that, that must really rock, man.

But stay on target, lets talk a bit about the art before we get into the story.
Any panels really pop out for you?

@Fitzman73: Well you know I’m pretty nitpicky, and while I’m a total mark for Herb Trimpe’s artwork, what stood out the most for me, unfortunately, is how much “Aunt Beru” did NOT resemble Aunt Beru.

Did it bug you as much as it did me?
Some of the other designs were a but funky but she was like who in the fuck is this supposed to be?
I thought it was her hot sister or something.
Or the maid.

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ThatScoobyDoom: I don’t know if it bothered me as much as it did you, but it was jarring for damn sure.

She almost looks like Margot Kidder as Lois.
Certainly nothing like the kindly old Aunt May type that the movie showed.
The only other thing that stuck out to me as strange was Uncle Owen, he looks more like Clegg Lars than Owen.
Nothing else stands out as bad or out of place…though those “skyhoppers” are something that I’d consider a funky design.
What are the other things what felt funky to you?

Overall, I’m pretty happy with the art for the first time in the 11 issues we’ve gone through.
I think the Banthas, which we know from previous issues have been hard for artists to nail, look impeccable, Biggs looks like Biggs, the Sandpeople look like bloody Sandpeople!

@Fitzman73: Well you can thank Herb Trimpe for the art.

I’m a big fan of his work on the ’82 G.I. Joe series.
This issue is pretty distinctly his style.
They look like they could’ve come straight from the pages of a Joe comic (for example page 304 second panel on the bottom, that’s a generic Joe if I ever saw one).
Side note, he also drew the first appearance oimage

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It’s no surprise that this issue was good, or at least leaps and bounds better than the ones we’ve already talked about.
The creative team on this on single issue is insane.

Roll call:

Dave Cockrum, iconic X-Men artist does the cover.

Herbe Trimpe on pencils.

Al Milgrom does the inking.

Plot by motherf’ing Chris Claremont?

And to top it all off it’s actually written by Archie Goodwin whose resume is a MILE fucking long.
Name a comic in the 70s and he either wrote on it or edited it.
Guaranteed.
He was the first writer on the original Iron Man solo series.
He created the character of Luke Cage.
Co-created the first Spider-Woman.
And was editor in chief of Marvel for a spell.

If this issue would’ve sucked, I think I would’ve had to burn my comic book nerd card.

And actually I take it back.
I flipped through this again real quick and Beru was really the only funky design.
Except for Luke’s daydream space battle.
Those ships are pretty non-Star Warsy.
Actually the one at the top of page 302 looks almost EXACTLY like the fighters that would show up a few years later in the Buck Rogers TV series.
Also, in that panel the pilot in the foreground (Luke?) is a dead ringer for Ace the Skystriker pilot in the old G.I. Joe books.
Almost the same exact pressure suit in my opinion.

The Skyhoppers are pretty accurate though.
They’re definitely odd, but that’s pretty close to what they’re supposed to look like.
These have kind of a protruding nose/cockpit though and I think in “canon” they have flat fronts.

ThatScoobyDoom: Ladies and Gentlemen, school is in session and you professor for this week was just Fitz, dropping nerd knowledge all up in our faces!

I noticed your generic Joe for sure. Haha

He drew Wolvie?
That’s why the noses look so familiar!
There were a few spots like page 310 where the noses just stuck out something I should recognize, but I couldn’t place it.

Yeah, it’s for sure a stellar fuckin’ line up.
And if folks don’t know who ARCHIE GODDAMN GOODWIN is…they need to go edumacate themselves on what comicbooks are.

It woulda been a massive screwing of many pooches for this to suck.
Like, something seriously cosmically fuckin’ wrong.

I liked that daydream for a specific reason.
Luke is stuck on this dusty dirt ball with no connection to anything, sure he wants to go off and join the Academy, but he probably hasn’t seen anything more than distant flashes in the sky.
So I like that the art doesn’t look specifically Star Warsy, the random sci-fi look fits perfectly.

Those skyhoppers are canon?
They almost look like scaled down versions of shuttle Tydirium.

@Fitzman73: Yeah they’re canon.

There’s one in A New Hope.
You know when Luke is fixing up the droids and the scene starts with him on the couch playing with a model spaceship thingy?
That’s a skyhopper.

You get to fly one in a mission in the old N64 Rogue Squandron game too.
I think that was the first actual rendering of it outside of that little model in the original movie.
They do kinda look like a tiny one man shuttle tyderium but I’m pretty sure their noses are cut off and the fronts are flat like a bus.
Not very aerodynamic.

Speaking of that Rogue Squadron game, the mission in that game is one of the things I thought of when reading this issue.
It’s also a Beggars Canyon run in a skyhopper, and I always thought that was the first time you see Beggars Canyon, but no, it happens in this very issue from like 15-20 years before.
It’s close enough in resemblance that I wouldn’t be surprised if the game designers used this issue as inspiration

Oh and nope I was wrong.
Just looked up images of a skyhopper and their fronts are almost exactly as depicted in the comic, not flat at all.
Some of the angles on the images though produce kind of an optical illusion that makes it look flat at first.
But in profile they’re definitely not flat.
Wings fold up too just like shuttle T.

ThatScoobyDoom: I don’t think I ever noticed that, I guess a rewatch is in order to try to spot it.

Speaking of Begger’s Canyon, lets just get into the story cause I can’t think of anything to say about the art besides it’s DAMN good!

Our story starts with Luke in the Cockpit of the Millenium Falcon where he starts reminiscing about his days back on Tatooine.
Given our harshness in previous issues for similar set-up, did this smack you as a bit hamfisted?

@Fitzman73: Yeah a bit.

They seem to use this “I’m alone flying through space and bored and shit let me have a flashback” device a lot.
This is at least the 3rd time they’ve used it in 17 issues (maybe more since we skipped ahead a few issues).

The other times it was usually to give readers a “last time, on Star Wars” type recap.
Which by today’s standards feels SUUUUUPER lame and hamfisted, almost insulting to the reader.
But back in the day, before direct market comic shops let alone the internet, it was easy to miss a bunch of issues and there was really no way to find out what happened unless they did a recap like those.

This one was different though.
Right from the first panel the writing alone is so much more mature and well done that I knew it wasn’t going to be a cheezy flashback.

ThatScoobyDoom: I totally agree, but I felt given how harsh we were before it seemed only fair to point out they do the same here.

It wasn’t only a “last time on Star Wars”, mind you.
At least once it was a “lets check in with these characters for a page so you don’t forget they exist”.
It’s handled totally different here, it’s him reminiscing and appreciating where he came from and how much things have changed in the weeks since he left.

So, as we head back to Tattooine, we get our 1st glimpse that this isn’t gonna be like the first 10 issues.
We see Luke actually bullseye image

a womp

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om his

T-16.

More than even the movie issues, to me it feels like for the first time somebody actually paid attention to the fuckin’ movie!
What do you think of that?
Do you agree?

@Fitzman73: Absolutely agree.
The fact that you’re actually seeing things that were alluded to in the film was really cool.

And you’re right it’s like somebody finally realized hey ya know, we could in fact connect these comics to the movies, we don’t always have to invent our own weird shit.

I thought the womp rats were a great touch.
I also liked that they even included Camie and Fixer, who were ultimately cut from the movie, but those scenes were in the comic adaptation (see prior Typecasts) so it was cool to bring them back and reinforce what Luke’s circle of friends looked like.
They didn’t just create all new random people.

I also liked how they spent time expanding a little on what the fuck they actually DO on that farm.
Not a lot of detail really, but it helped paint the picture that this is serious business.
Owen isn’t just being a dick, it’s really critical that Luke stay on top of his responsibilities.

ThatScoobyDoom: Yeah, it just works.

I’m just gonna flat out say it, I love this issue because it has everything, man.
With 1 small exception that I’ll mention in just a second, this thing still plays well today!

That 1 exception though is when Luke gets back to the farm he asks to go the the Beggers Canyon send off for Biggs, Owen is about ready to shut that shit down when Beru steps in and says Biggs is Luke’s best friend.
Then she tells Owen that he let a brother leave without saying good-bye, obviously talking about Anakin.
That totally gets a pass since this is pre-Empire and pre-Prequel so we know Anakin and Owen were never close, but that was interesting.
I like that when Owen left Beru doesn’t elaborate on it either.

I dug the Fixer mention too, it’s the first time that they actually make an attempt at a real continuity.
Not just the weird random sci-fi shit they create on their own.

Does it make Owen seem like even slightly less of a dick though?
He seems like a bit of an asshole ta me, in the movie I can understand him not wanting Luke to chase after that damn wizard, but here Luke just wants to have a little fun and say bye to an old friend.
Owen is still like “fuck that, work boy”.

@Fitzman73: You saying that he’s like “fuck your fun times, get to work boy!” makes me think maybe he’s really not that much of a dick after all.

Obi-wan turns over this tiny little baby to Owen and Beru and is like hey keep an eye on this for me and make sure it doesn’t get broken.
They have to know who his father is, and even if they don’t know he turned dark (which I always felt like Obi-Wan must’ve told them at some point) at the very least they know he was a reckless Jedi and got himself killed.

So now Luke grows up and he’s hanging out with these people who are all going off to join the military and doing dangerous shit out in the desert and all that.
I think more than anything, all of his dickish behavior is Owen trying to make sure Luke gets as little time to be with those people as possible so that he doesn’t even get the bug to leave the planet much less join the military and get himself killed.
They probably don’t have detailed instructions from Obi-Wan, or daily interaction with him, but I’m sure the prime directive was “keep this boy safe and as anonymous as possible”.

Even when he says oh by the way this new droid belongs to Kenobi they’re immediately like oh that dude’s crazy stay away from him.
You know they know him and they know he’s not dangerous but it’s all about squashing anything Luke ever brings up so that he learns not to question anything.
Owen is going to keep him trapped on that farm, in his mind, forever.

So, is he really a dick?
Or is he just playing a role?
I tend to think it’s a little of both.
Judging by old man Lars in Ep2 and the harsh life he’s lived, Owen is bound to be grizzled and gruff, but at the same time I think most of his dickishness is really just him attempting to smother Luke for as long as possible.

ThatScoobyDoom: I’d guess that Owen and Beru probably don’t know that Anakin is Vader, but that Obi-Wan did tell them that Anakin was amongst the most powerful people in the galaxy and that Vader and the Emperor might be looking to find powerful kids or maybe even trying to find Anakin’s kid.

So I agree that he probably said don’t let Luke know that he might be one of the most powerful people in the galaxy, but I really don’t see how being an asshole is necessary.
Gruffness for gruffness sake can and, as we saw with Luke, will sow seeds of dissent.
Luke was almost resentful of Owen holding him back until Owen died.

But now you have me wondering what that relationship between Kenobi and the Lars family was like and when Owen started, in your words, playing this role.
I mean, in the tail end of Dark Lord: Rise Of Darth Vader there is a scene of Obi-Wan following them and watching them and they seem like a happy family.
And I know that’s not canon, but I figure everything can be potential canon until they explictly make it non-canon with a new story, so at what point did they go from “happy family” to “Luke, get your head out of the damn stars and get to working you little shit!”?

@Fitzman73: They show basically the same thing in the “Kenobi” novel.

He would basically make the trip across the desert every few weeks and spy on them from a distance to make sure shit was going ok.
So official canon or not (I don’t think that book is “canon” either) I’d say it’s pretty logical to assume that was happening.

I mentioned earlier and we’ll get back to it eventually, but this issue has a lot of the same ideas in it that show up in Kenobi, so somewhere there’s got to be some ounce of “canon” there.

ThatScoobyDoom: Which is kind of comforting if you think about it.

No matter how many times they visit the theme, no matter which writer handles it, Obi-Wan remains the same.

Let me know about those elements as they pop up.
So Beru basically brow beats Owen into letting Luke head to Begger’s Canyon and Luke heads off to work on his Skyhopper.
While doing his tune up he slips into a day dream about swashbuckling across the galaxy and saving a girl.

I mentioned this earlier, but I like the random sci-fi feel of this, it’s almost definitely unintentional, but it really sells the fact that Luke has never broken atmo before, he has no clue what it’s really like out in timage

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What did you think of it?

@Fitzman73: Even though I knocked the ship designs a little before (although not really because I loved that Buck Rogers show), I liked this sequence. Although it’s funny when you think about it because it’s a daydream within (essentially) another daydream.

I liked it though, kinda gives you a look inside his mind.
Something similar to this is what I imagine is playing in his head during A New Hope as he’s watching the sunset.

And you’re right, the funky ship designs and flight suits really lend to the idea that this kid knows jack shit about what real fighters look like.

Did you catch how they called him “Commander” Skywalker?
It’s cool when you realize the writers put that in a few years before he would be called that in Empire.
A little unintentional foreshadowing perhaps.

ThatScoobyDoom: Chris Nolan stole Inception from this!!!

I didn’t think about that, but that’s a great point.
This very well could be what he was doing, just lost in thought, daydreaming of what is possible.
I like that!

It’s a great bit of unintended bonding of storytelling and art that plays well, even in this post Clone Wars world of Star Wars.
It works beautifully.

I read it but I didn’t really notice it.
That is pretty cool.
Seems to be alot of unintended forshadowing.

@Fitzman73: Definitely.

So what did you think about the Skyhopper race?
Again we get some creative synchronicity between this issue and something we’d see again decades later.
I thought showing Luke in this race, while not as elaborate or dramatic, was very much the same thing we see Anakin doing in Ep1’s pod race.
Maneuvering through a course that’s virtually impossible to survive with human reflexes.

But, this time it’s all humans in the race and by the end everyone has dropped out except for Luke…….and Biggs.
Which is cool to see them race each other, the two hottest pilots on Tatooine.
However, what does this say about Biggs?
Is he just a really good pilot or could he maybe have a touch of Force Sensitivity himself?
Obviously it wasn’t enough to save him during the Death Star Battle like it was for Luke, but since no one else but those two made through the entire canyon, makes me wonder.

ThatScoobyDoom: That was my very first thought as well, podracing runs in the family.

My second thought was “huh, so he actually made the trench run before Episode IV”.
Because think about it, the whole point of this Skyhopper race is to get to the largest Womp Rat Burrow which can only be approached through Begger’s Canyon.
Only way to hit that exhaust port was through the trench.

Unlike the last issues we read where Han made a trench run to destroy the giganto turd monster, this actually works well.
It’s an interesting little piece of action.

I don’t think it means Biggs is force sensitive, because if it does then you have to wonder if Han is.
Han has accomplished many more spectacular feats and I feel pretty safe in saying that he has zero connection to the force.
I think Biggs is just that damn good!

So thus far, it’s all been fun and games.
Biggs won the race, Jawas got pissy cause nobody wrecked, alls good in this hood…until suddenly a Militia Scout crashes his speeder and warns of impending doom from Tusken Raiders!!!

image

1 question for you.
1. What the fuck is the Militia?

@Fitzman73: Touche.

You make a good point there about Han not being force sensitive.
It makes more sense that Biggs wouldn’t be, that was all just wild speculation.

Ah ha!
Yes.
Now we get to the heart of the matter and the biggest thing that to me connects this story to the Kenobi novel.
In that book they have local militias, kinda.
They’re basically like volunteer firemen.
When one farm raises the alarm about a Tusken attack (which apparently happens A LOT) the other local farmers arm themselves and come a runnin’ to help drive them off.
It’s very Old West frontier days type shit.

Basically they kind of depict the sand people like Native Americans and the moisture farmers like settlers in the Old West encroaching on their lands.

ThatScoobyDoom: I’d think Obi-Wan would have sensed Biggs if he’d been force sensitive also.

It’s an interesting notion, but I think that’s barking up the wrong tree.

Reeeaaaallllllyyyyyy!
That’s interesting!
I’m still a dozen or so novels away, were the Militia men mentioned in the Episode IV novel or is this here the first mention of it?
I think that’s pretty fuckin’ cool if this is the first mention and then John Jackson Miller mentions it in Kenobi, shows the dude knows his history.
FUCK!
I wanna read that Kenobi book, man.

That’s a classic trope.
And based on the reaction here and the Episode II novel, yeah…I’d say that the Tuskens attack ALOT!!!

@Fitzman73: It’s been awhile since I’ve read the ep4 novelization, but I’m pretty sure they don’t mention any kind of militia.

I think this comic is the first time.
But since it shows up again so far in the future it makes me wonder if it was in some of GL’s story notes.
I can’t imagine JJM used this as inspiration necessarily, it’d be such an obscure pull, but it could be that he was looking at the same notes on Tatooine that Claremont may have been given.
Maybe.
Again, wild speculation.

One of the storylines in Kenobi is all from the point of view of a band of Tuskens.
So you get to see how both worlds function, the farmers and the Tuskens.
Feels very much like a Western.

What did you think of the Tusken using his gaffi stick as a projectile instead of just a club?

ThatScoobyDoom: Welp, I just asked John Jackson Miller on twitter.

https://twitter.com/TheScoobyDoom/status/645467173226434560
Hopefully by the end of this we have a definitive answer from the man himself.

Really?
What was that like?
I imagine their brains to be chaotic and disjointed.
Almost like a ADD Puppy on speed.

I didn’t know what to think of that honestly.
Those sticks have always kinda confused me based on the design.
They look like javelins to me, making it seem like the most logical way to utilize it would be as a projectile, but that curve at the end kinda shoots that down cause it sorta fucks the aerodynamics of it all to hell unless you’re at a close range like this.
Also, given the weirdo shapes on the ends it looks like it could be some sort of low energy weapon.
Like a blaster rifle meant to stun to prolong torture or something.
That curve makes me think it could be used like a propeller too, swing it over your head and bring it down to crack some poor sap in the side of the mush.

Context, the Tuskens attack Luke and crew at their little post-race party, after the militia dude warns them then passes out or dies (not sure they made it clear what happened to him).
One Tusken chucks his stick at Biggs and hits him in the shoulder. Turns out, filthy prick dipped the stick tip in Sand Bat Venom which appears to be highly toxic!
Whatcha make of that image

tur

n o

f e

ven

ts?

Turns out he came up with it himself, but he later found a mention of Militias in the Tattooine Galaxy Guide.

https://twitter.com/jjmfaraway/status/645471776672215040

@Fitzman73: I saw that.
Awesome.
Go straight to the source.
At least we don’t have to waste any more time speculating.

The sand people in that book were portrayed very much like indiginous people, a little more primal, very superstitious with strong traditions and their own cosmology and creation myths.
It was pretty interesting.
They were more normal and less monstrous than you’d think given what we’ve seen in the films.

I always looked at those sticks as improvised weapons.
I don’t think they all look exactly the same, other than they’re all blunt force club type weapons.
They look to me like they’re fashioned from salvaged junk.
Whatever bits of metal they found that looks sharp, heavy, or pointy.
Makeshift.

Of course it was dipped in poison!
Haven’t you ever seen a cowboys and Indians picture?
It’s always dipped in poison.

Seriously though, it was a nice way (even though a little cliche) to introduce a time lock into the story.
It wasn’t dramatic enough that they needed to get into town quick to sound the alarm about the raiders coming, now Luke has to fly the most impossible route through the canyon in order to save his best friend’s liimage

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ThatScoobyDoom: The wonderful world we live in, you can go straight to an author and ask all the questions you’d ever desire to know the answers too.
Alot of authors gladly answer too.

Yeah, that’s not what I’d expect at all, especially given what could have potentially happened to Anakin’s poor mother.
I’d think them to be unthinking, uncaring, unchecked beasts.

I should have, but the look of them is just so strange that it seems like it could be anything from a lead pipe to some sort of energy weapon.
It is a great design.

It seems like an unnecessary raising of the stakes, not nearly as bad as the last arc we read, but still.
The unflyable chasm should be enough of a challenge.
Do you mind the whole “nobody has ever done it before, but Luke has to at least try” thing?
I think that may be the only thing that sticks out as a little too hokey for me, ya know…given Luke JUST SAID something about how great Biggs was for making it through Begger’s Canyon when even he couldn’t.

@Fitzman73: I think that’s why the poisoning was necessary.

It gave Luke no choice but to do the impossible or die trying.
As a result he finds out that he’s capable of greater things than being a farmer, and that even when something seems impossible, there’s always a chance to succeed.
It really is the trench run, and seeing how he aced this you can see where all that bravado and confidence came from when they attacked the Death Star.
This story kinda shows you that it wasn’t all just him being young and naive.

ThatScoobyDoom: I’ll be honest, I’m only trying to poke a hole so we don’t come off as blinded fan boys just slobbering on the balls of this book just for cause it says Stary Wars all up on the covery part.

Is his family being in grave peril not enough of a reason to die trying though?
Does he need yet another reason to rush home?
Do we really need to risk his super best bud who’s just gonna eat it in a few years?

@Fitzman73: No we don’t need it.
But it did make it cool.

And also all this Biggs talk just made me realize something that I never really considered.
As if their relationship isn’t crazy enough, Luke’s FATHER killed his best friend.
Let that sink in for a second.
That’s a fact that gets totally lost in the “Oh my god he kissed his sister” conversation.

ThatScoobyDoom: Ya know, until I started talking with you for these Typecasts a year ago I never really paid much attention to Biggs.
To me, he was just a dude that Luke used to know years back on the dust bowl planet.
But talking to you, he’s kinda become a more important character, even though he gets dead in the trench run saving Luke’s bacon.
It’s pretty clear you always dug him though and it kinda rubs off.

But yeah, that is pretty fucked up that dear daddy Vader basically kills almost every one of the folks what Luke cares about from the old country, if ya will.
Mentor Old Ben, best friend Biggs, depending on what theory you want to believe he also killed or ordered the hit on Aunt Beru and Uncle Owen.
This Vader dude is kinda a dick.

I don’t think we said it, but Luke does the impossible and makes it through Begger’s Canyon only to come upon some of those attacking Tuskeimage

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@Fitzman73: I’m not sure that I “dig him” so much as I obsess over the tiniest details of these movies, to an unhealthy degree.

Plus there was always kind of a mystique about him because almost all of scenes were cut and decades went by spent wondering what he was like on Tatooine, what was thier friendship like, etc.
That lack of information feeds the imagination.
Even now with the inclusion of some of that cut footage, you still don’t get much information.
So things like this comic are cool because it adds to the non-canon stuff that I’ve built up in my head about him over the years.

I thought the way Luke came up through Devil’s Ass Crack or whatever they called that exit from the canyon and shot passed a bunch of Tuskens was cool.
I liked how they used the surprised Tuskens to illustrate how incredible this was.
The way they point out that the Tuskens in all their history have never seen anyone come through that cut in the canyon wall was a nice touch.

ThatScoobyDoom: I’m not saying you wanna get your hair and nails did and take Biggs out for dinner and see where the evening takes you, but you seem to have a particular interest in him because of the total blackout in detail for him.

I mean, I was trying to find details on him being in some old novels and I don’t really see much, so of course it would cause your imagination to build a history based on their short interaction.

Aye, me too.
If you look close they seem to being just blind firing cause they’re so surprised.

It sells the whole thing and brings it home as Luke streaks through the sky with them firing u’p his afterburner causing a fiery crash image

landing at t

he Lars homestead

.

@Fitzman73: And then, just like we kinda talked about earlier, Luke even says to himself this felt like some kind of test.

Which then leads into a flash forward to the trench run before Han snaps him back to reality aboard the Falcon in the present.

ThatScoobyDoom: And that page that shows the stuff what happened in IV is just a stunner.
Better than image

the art in those issues.

Okay, I gotta ask, and you did sorta touch on this earlier when talking about Luke’s trench run bravado, but does this in anyway cheapen Episode IV for you?
Does it make Luke’s journey in that movie seem less impressive to you at all?
Cause I’m of 2 minds on it.

@Fitzman73: Not really.
It makes it more believable to me.
Especially when you add in the information you get from Episode I.
To me it connects him more to Anakin, which is something you don’t get much of just from the movies.
It shows he’s more than just a good pilot, there’s something special there.

When he says hey this Death Star trench is no big deal, this issue makes that seem more believable that he would actually feel that way.
But when the shit hits the fan you still get to see him realize that oh this is NOT just like Beggars Canyon, at all.
He almost immediately finds out that yeah maybe the trench run itself is the same, and hitting a 2 meter target, but doing it while trying to evade trained killers all around you is something else entirely.

ThatScoobyDoom: That is my dominating thought.

It actually makes alot of shit in A New Hope make way more sense.
As I said at the start, somebody, probably Claremont, paid attention to the movie and just figured “fuck it, lets make these references mean something” and it totally works.

This isn’t me just looking for a flaw so we don’t sound like Marvel/Star Wars zombies, I feel this is a legit point.
What makes Luke’s story in ANH so interesting is that he’s a good mechanic & he’s a good speeder pilot, but once you insert all of these impressive feats into his background it almost feels like “what’s the big deal? He’s basically done this before, this time he’s just getting shot at the whole time and not just at the last moment”.

Again, I agree that it doesn’t, but I think that’s something to consider for a moment.

@Fitzman73: I could see where someone might take it that way.

ThatScoobyDoom: Our last scene is, as you touched on before, Han coming into the cockpit of the Falcon to take over for Luke in a scene that is actually kinda sweet.

Han tells Luke that he knows Luke must want to get out of the pilot seat because hours at the controls can be pretty boring.
And Luke tells him maybe some day he’ll get tired, but that day’s not today.
How did that hit you?

Also, there’s one thing on this last page that we’ve both bitched about in the past, can you spot it?

@Fitzman73: I thought it was a cool little scene. It reminded me of something out of Firefly.

The boredom of piloting in deep space all alone.
I thought the “Don’t get space happy” line by Han was dismal.
I had my own flashback to the Roy Thomas arc we read before.
Ugh.

Not sure what the gripe was on the last page except the design of the Falcon looked a bit off.

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ThatScoobyDoom: I didn’t make the Firefly connection, but that’s a very apt way to describe it.

You just hit the nail on the head.
I read “Space Happy” and it made me cringe SSOOOOOO hard!
It definetly didn’t ruin the issue, but I had hoped we’d moved past that shit.

Yeah, the Falcon has alot less detail than we’d expect.
I’ve flipped ahead quite a few times and we’ll see that again…alot.

@Fitzman73: Yeah that line was fucking awful.

It almost ruins the rest of the issue.
It’s like getting to the bottom of a delicious ice cream sunday and finding a dog turd.

The Falcon looks really flat and smooth like it has the same skin as an old WWII bomber.
At least that’s what these comics make me think of.
Carmine Infantino who takes over from Howard Chaykin after the series of issues we covered previously was really bad (good?) about that.
The Star Destroyers are the same.
They look perfectly trialngular and their surfaces are very smooth almost like glass.

It’s weird because I think the Infantino art is some of my favorite.
But his spaceships are never quite right.

ThatScoobyDoom: Lol, I didn’t think it was that damaging.

But at least you gave us all a…good…visual…image…

I wonder if that was him or his co-artists, because I looked and it’s pretty rare that he did the issues alone.
Bob Wiacek seems to be the most frequent co-artist, I can see somebody of Infantino’s stature wanting to do the character stuff and leaving the rest to somebody else.

I do dig what I’ve seen of Carmine’s art though.
It’s great shit.

@Fitzman73: It’s weird, Wiacek was usually an inker so I thought maybe that was the co-artist part, but looking him up at comicbookdb.com, it doesn’t look like they have him credited on this issue at all.

So then it makes me wonder if he did the layouts or something, or like you said maybe the ships and non character stuff.

Carmine Infantino just died recently, couple years ago, it was a bummer because I would’ve like to meet him.

ThatScoobyDoom: Keep in mind that this issue is Herb Trimpe and Allen Milgrom.

Next issue is where Infantino came back, with Gene Day for that issue, and the detail on that opening page is pretty good.
But lets save that for another day.

Yeah, even at 24, I’ve reached the age where alot of the folks I’d like to meet are starting to go.

Well, my good sir, we’ve reached the end of this story.
Is there anything else you’d like to say about this issue for the good folks reading/listening?

@Fitzman73: No, I’m spent.

This was a fun read with some interesting concepts and nice art.
I give it 7 out of 10 womp rats.

ThatScoobyDoom: I hate giving scores, but I might go even higher. This is without a doubt the best issue of the old run that I’ve read.

As we close, I want to say something really quick. By the time this goes up it will have been 1 year since I launched my site and this whole Typecast concept and you’ve been extremely instrumental in that. Counting this one, you’ve done 9 of these now covering a wide range of topics, 90% of which within the broad theme of Star Wars. I’ve had great guests, @SpiderScooby@TESDGroupie, @ScoobyAddict@JoinedToFollow, @ScoobySnaxCom, and @MemeEmSteveDave, but none more than you.
Not to mention the help you’ve given me on videos and shit in that time, and much more

So thanks for all of that.
I know for a fact my site wouldn’t have nearly as many visitors without you, my good sir.

@Fitzman73: Are the mics off?

Should I zip up my pants now?

ThatScoobyDoom: *garbled*
Die fink show!
*spits*<
pimage

Remember, you can listen to this as a podcast with this link here:

http://justjumptotheend.libsyn.com/bonus-episode-2-oops-we-did-it-again

Again, a huge thank you to Fitz for all he has done.
The dude has been a huge help.
Follow both of his twitter accounts.
His personal: http://twitter.com/Fitzman73
And his podcast: http://twitter.com/JJ2End
Also, be sure to go and listen to every single episode of the podcast he does with his sister at http://JJ2End.com

Share this post on twitter with the hashtag #Typecast.

And finally, and most importantly in light of recent world events, this world is full of truly EVIL people.
Do everything in your power to combat that evil, even if it’s something as simple as giving a stranger a smile.
Do it!
The world needs good now more than ever.

Thank you for reading, hope to see you back here soon.

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Abandoned Scooby-Doo! Story Part 2 of 3

Yesterday I posted this tweet (https://twitter.com/TheScoobyDoom/status/663584160209063936?s=03) telling folks if it got 12 RT’s they’d get Part 2 of my abandoned Scooby story (you can read Part 1 here).
Well, moments ago, it reached that goal.

This is about 95% of what the original was, there are a few spots where I couldn’t read my own handwriting, so I had to kinda connect the dots a bit.
So if it gets a wee bit flowery or good, That’s why. Haha
Also, as I said in Part 1, this was written at a creative low point, so that’s why folks sound a little bit more aggressive than you’d expect.

So, without further ado, Scooby-Doo! And The Football Spectre, Part 2!

“Like, that would be me dude. And please, just call me Shaggy.” Shaggy responded.
“Oh right, so sorry, um, and who are all of these…nice young people you have with you, um, Shaggy?” Carl asked, looking the Gang over.
“This is Fred Jones, Daphne Blake, Velma Dinkley, and my best friend in like, the whole wide world, Scooby-Doo.” Shaggy told Mr. Trekwall.
“Good doggy.” Trekwall said in Scooby’s direction.
“Roggy? Where?” Scooby asked with offense as Carl pretended not to hear him and continued on.
“Well, come right this way, your V.I.P. booth is right up here. Food vendors will check in to see if you need anything every half-hour, everything you order will, of course, be free of charge. Any questions?”
“Yeah man, when does the first vendor get here? I’m totally starving here!” Shaggy asked.
“Shaggy!” Daphne scolded him in a motherly sort of way.
“No, no, no, it’s quite alright Miss. Blake. Right after kick-off, which should be in about 15-20 minutes. I need to go and speak with Mr. Walkerton before then, so I don’t wish to be rude, but I have to go.” He said as He left.

“Oh boy, I don’t know if Scooby and I can wait 20 minutes more, huh buddy?” Shaggy asked his pal.
“Reah, Ri’m so starved, Raggy.” Scooby replied, clutching his stomach.
“Well, would a Scooby Snack help?” Velma asked reaching for the familiar box.
“Reah, reah, reah!” Scooby replied excited.
“You too, Shag?” She asked.
“Totally, but like, two would be twice as nice!” He said.
“Fine then.” She said and threw them each two.

As the friends ate their snacks, Fred spoke “Well Gang, what should we do until the game starts.”
“We could go look at one of those cute little gift shops we saw on our way up.” Daphne suggested.
“That’s a great idea, I’d like to get myself a Penguin’s jersey and hat.” Fred said.
“Well, what are we waiting for? Let’s go.” Velma said.
“Shaggy, what about you and Scooby?” Daphne asked him.
“Me and Scoob’ll stay here and wait for you all to come back, right ol’ buddy?” He asked.
“Reah, wait right here.” Scooby answered licking Snack crumbs off Shaggy’s hand.
So Fred, Daphne, and Velma all left to go to the gift shop.
Half way down the ramp Daphne stopped.
“What’s wrong?” Fred asked her.
“I forgot my purse in our booth.” She replied.
Let’s go back and get it then.” Velma said.
“No, no, you two go ahead, I’ll go back then meet you there.” Daphne told her.
Daphne started walking back to the room, suddenly a hand reached out and grabbed her arm.
She shook her arm loose, screamed, and ran the entire way back to the booth.

Back in the V.I.P. booth, Shaggy stood up, stretched, and asked “Like, Scoob, I need to stretch my legs, wanna go for a walk?”
“Rokay!” Scooby replied excitedly.
Just then they heard the scream, exchanged a quick glance, and both grabbed the end of the couch.
They started to walk it to the door to block it when it flew open, Daphne ran in, and slammed it closed behind her.
The twosome rammed the couch up against the door and turned to Daphne.
“L-l-l-like, please tell me it wasn’t you that just screamed.” Shaggy asked.
“Well I wish I could tell you it…JEEPERS!” Daphne yelled as the couch came across the room towards Her, Scooby, and Shaggy.
The door burst open behind it, Fred, Velma, Carl came rushing in followed by 2 guards.
“What happened? Who yelled?” Carl asked.
“That was me Mr. Trekwall, somebody grabbed my arm.” Daphne replied.

How will it all end?
Find out soon, when I post Part 3!

Share this post on twitter with the hashtags #ScoobyDoo and #TSDJAProductions.

Finally, the world is full of people who will be unnecessarily crappy to you.
Combat that by going out into the world and spreading a little kindness.
Thanks for reading, see you next time!

How It Happened: Channel Surfing

Strap in, cause this is a long ass story!

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I realize I may say this a lot, but this is a video I love and am beyond proud of because I was able to show off my talent on every front.
Editing, Voice Acting, Producing, and Directing.
This is a showcase of just exactly what I can do at my very best!

I want to make this extremely, blisteringly, painfully clear here at the top, I hold no ill will, grudge, or anything else of the sort against the brilliant artist mentioned below!
What I say below is just my perspective on the situation and how I felt at the time.
And I will own it right here and right now, it is my fault and I definitely could have and should have handled it better.

With all of that out of the way, lets get into it, and trust me when I tell you there is a story and a half to be told here.

Some of you may have noticed that all of the female voices in this video are credited to a Twitter account (@Sunnee_dayz) that isn’t really active and there is a reason for that.
The lovely lady behind those beautiful voices is none other than the supremely talented @ShariSayz.
As I recall, this video came together in an extremely short amount of time to meet my fast approaching deadline, I think it was less than 2 weeks for the full production of this one.
And that includes the writing.
So, the idea I had for this thing originally was that a dude was sitting up late one night watching TV, flipping through the channels, and running across all the types of shows and infomercials that we all know exist in those wee hours of the night/morning.
But that felt a little too weak, I needed something to strengthen the video, I didn’t want it to just be a collection of me doing weird voices and shit.
I struggled to come up with a wraparound story to give it all a purpose to exist, and that was when I came up with the closing segment (which had it’s own set of problems that I’ll get to later) of the dude watching a porn on TV and getting caught by his lady.
Ah-ha!
I had my hook!

I knew I needed to write a lady in at this point, which gave me the idea for a new segment to include.
I figured I had to come up with a reason for the wifey to be gone long enough for the dude to flip through all of those channels too, and I’ll admit her having to park down the block is a bit weak but it’s enough to get into the showcase of voices.

As I was breaking and recording the segments, I started thinking of who I could get to help me out with bringing this baby home.
While technically this is the first time I’ve worked with @ShariSayz on something that you guys have gotten to see, I’ve actually written something with her in mind before that kind of stalled out due to my feeling overwhelmed by the story and another actor being hard to reach.
@ShariSayz had recorded and sent me some takes for that and a bit of a sizzle reel of her doing some voices and I liked what she did.

Now this is where things started getting complicated, and as I said above, I could have AND SHOULD HAVE handled it better, but this is how it happened from My perspective.
I DM’d Shari on Twitter and asked her if she would be interested in working with me on a new project.
She said yes.
Then I dropped the bombshell, because I figured if she didn’t want to be in based on what I had to say we could get it out of the way early, no harm no foul.
I broke it down and told her exactly what I needed, being PAINFULLY clear that there was a porn scene.
Her reply was that that was fine, she had no shame.
I was shocked she’d agreed, but she did.
I told her the timeline would be very short as this just popped into my head and the deadline was creeping up fast.
She said she’d do her best.
I was relieved simply because I thought, understandably so, the porn scene would be a hard sell.

So she recorded and sent the audio and it was brilliant!
I don’t say this because she was kind enough to help me or because I’m pretty sure she’ll read this, I say this because it is the goddamn truth, Shari is AMAZINGLY talented and made my work better just by taking part in it.
But I had a slight issue with her initial porn track and asked for a rerecord, which she quickly did for me, and it was perfect!
I quickly set about recording/editing it all together (which was a fiasco in and of itself that I’ll tell you about a little bit later) and that was when I got an email from from Shari that almost brought it all crashing down around me.

2 days before it’s ready to be posted, I’m still editing and recording like a bastard trying to get it ready to post when I get and email from Shari telling me that she’s getting cold feet because of the porn.
She was afraid, and understandably/rightfully so, of the possibility that future employers or, god forbid, her parents would hear it.
I tried my damnedest to talk her down, mostly for the incredibly selfish reason that at the time I had no other lady I could turn to (a problem that persists to this day, with the exception of the lovely Bat Kat), and I will admit that to this day, while I love this video deeply, I do feel a bit guilty for the pressure I did put on her not to drop out on me.
It was insanely selfish, and I’ll felt bad about it for quite a while and it continues to flare up when I’m in a particularly bad mood from time to time.
I’ve mentioned many times the guilt I feel about folks doing work for me for free, and that is something I still battle with.
I still try to do whatever I can without help because of that.

So I convinced her to sleep on it, all the while I was losing my fuckin’ mind on twitter.
The crunched production time already had me on edge and this seemed to be making all of the hard work I’d put in useless.
But thankfully the next day, after talking it over with somebody, she sent me an email and said cooler heads prevailed and gave me the go ahead to use her audio if I put that fake @ on it.
Which was a version of one of the contingency plans I’d posed the night before.
So that was settled.
Now before I go into breaking down each segment I want to make it clear that I only tell this story because @ShariSayz gave me permission.
For that and for doing the video, I thank you Shari.
And I do apologize for putting pressure on you to go through with it.
That WILL NOT happen again.

Now, go watch the video and afterwards I’ll break it down segment by segment for ya’s.
Enjoy!

https://youtu.be/4FWgK3MFycY

Fun, right?
Now lets get into the details!

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Opening: As I said above, that was all just to get the wife/girlfriend out of the house so the husband/boyfriend could do some Channel Surfing.
But there is a bit more to it than you all realize.
When I said above that I had worked with @ShariSayz on something else, the image of Hal’s “qwik check” is a reference to that.
That story was called “Why Us” and featured @TheGuy4420, Shari, and myself in a story full of death, mobsters, and mayhem that I had intended to turn into a trilogy of videos.
It was also to feature @FromTheMonkey as Hal!
It was my little attempt at universe building, trying to connect all of my shit together in a View Askew kinda way.
But as of today, Why Us remains unproduced.
Maybe someday…

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3:16: Any WWE fan knows exactly what this is, but for those of you reading who may not, this is a tribute to Stone Cold Steve Austin’s famous King Of The Ring ’96 promo after he won that basically helped launch his character and career to new heights.
Great promo, check it out on YT.

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Channel 37 News: Obviously, Channel 37 is a reference to Clerks, but the cauterized assholes actually is a sorta reference to something from my childhood.
There was this kid in the neighborhood who had a video camera and a fascination with fire, one dangerously hilarious story had him put his finger into a bottle of finger nail polish remover, he turned the bottle upside down to soak his finger real damn good, he turned the bottle right side up, pulled his finger out, and lit his finger on fire…his finger went up, all of us (including him) laughed...THEN SUDDENLY THE FLAME TRAVELED UP HIS ARM TO HIS ARMPIT!!!
What dumbass didn’t realize was that when he turned the bottle upside down his finger didn’t create a perfect seal, the polish removing liquid leaked down his arm.
After that, we told him someday he’d melt his asshole shut.

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Tube Man: Joke from Family Guy that I’ve always loved.
Everytime I see one of those fuckin’ things I think of that entire bit, and on occasion I break out and do the bit.

Televangelist: You all know late night TV is littered with these fuckin’ DOUCHE BAGS begging for money so they can maintain their goddamn arena churches.
Using the voice of Reverend Tim from Dumbass Poets Society, I did my version…which is, as per my usual, (and to quote @NeilGat)  about as subtle as surprise prison rape, Reverend Tim just flat out tells you to “GIVE ME YOUR MONEEEEY!” sounding a bit like Chris Tucker.

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Music: Ah, now this segment has a pretty good story to it as well, most of which happened after the video dropped.
After @Woody_TESDFan did the song for me for Dumbass Poets Society 2: Fallout we talked about doing more together.
When this video developed I knew I wanted to have a segment with some music in it, so I talked to Woody about it and he graciously provided me with Part Of Life by his band Shoot The Mood.
I asked him for a picture to go along with it, again he came through.
The video got posted, everything went swimmingly…but that fuckin’ song, man!
I couldn’t shake it!
Just something about it kept giving me these flashes of images, images that were slightly depressing but realistic none the less.
You might notice I’m not telling you what those images are/were and that would be because I did a break down, including numerous time stamps, of these images and sent the entire idea of the music video I had playing in my head to Woody.
He talked to the band, said they dug it, and the plan was that he and a few folks he knew were going to go forward and shoot the video, send it to me to edit together, then it would be posted on the Shoot The Moon YouTube Channel and on My YouTube Channel…now somewhere along the way we both got busy with other projects and sadly nothing has happened since.
But, either they way described above or on my own (if they give me approval, obviously) I wanna go forward and make this video.
In my estimation, it’s too damn good not to make it!

Super Bright Flashing Light: This is just me poking fun at the stupid bullshit products they show in late night commercials and infomercials with so much excitement they make you wanna fuckin’ puke.

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Russia From My Backyard: We all remember this particular soundbite of pure stupidity, no need to break it down any further on that front.
But the picture?
Ah, it was actually taken winter 2013/2014 from my back porch during the record snowfall we had.
I thought it was a bad ass pic so I snapped it.
While making this video, I had the idea for this segment and it fit.
I remember the reaction when I pitched it to @ShariSayz because, as detailed above, I figured she’d take issue with the porn right away but this is the one that seemed to stump her the most.
She said something like “I don’t know if I can do that. I’ve never done a Palin impression.” which still to this day makes me laugh.
I remember telling her it didn’t have to sound exact just to have the same feeling, but if she didn’t feel she could pull it off I would do it.
Obviously, she did it and she did it well.

Clouds: This segment here is an almost direct pull (I made 1 slight derivation in the restaurant name) from one of Gabriel Iglesias’s bits.
I have been a fan of Gabriel since his days on All That days on Nickelodeon and wanted to do a little tribute to him.

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Veg-etarian: This I thought was funny simply because it’s not what you expect them to say.
You know you expected some kind of ethicist or homophobic bullshit to flop out of their mouths and it gives you a bit of shock when they pull a swerve and go in a different direction.
And I liked the pic I came up with for it, something kinda peaceful about a crapper at the foot of a mountain.

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Balls Deep: Usually before I record I use songs from Family Guy and The Cleveland Show as warm ups.
So, with that in mind, I figured I’d bring some of the warm up into the work, and since we all know just how much I love doing the voice that Kevin Michael Richardson perfected on The Cleveland Show, I felt there was no better choice than to go with my Favorite Cleveland JR song Balls Deep.
That song is fucking hilarious and you need to search it on YT.
For the image, I took my inspiration from the episode/song itself and made a picture that in some way resembles a ball pit.

Cooking Show: Cooking shows are every fuckin’ where, man.
You flip the channel any which way and you have some goofy asshole in a hat telling you how you cut an onion wrong.
So there’s that.

Joker: As said previously, I love my Joker voice.
I imagined this segment as “The Joker enters the house in the pilot of his own sitcom finding Harley right where he left her…tied to a chair for the last 4 hours”.
Not sure if anything similar to that came across, but that’s what it’s meant to be.

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Porn/Close: Besides everything listed above, this segment was the biggest pain in the dick.
The editing on it was a headache because for some reason I could not get that porn audio to work right.
As you’ll notice if you really pay attention to it, my part of the porn audio starts really loud then fades to nothing and Shari’s does the exact opposite, starts at nothing then ramps up to a huge crescendo.
What I was trying to do with it was layer them evenly so we both maintained a consistent volume.
If you don’t mind me getting technical, the way it should work is I lay her audio into the timeline with a photo that doesn’t matter so I can publish it as a video.
Then I take the video version of her audio and lay it into the audio portion of the timeline, lay my version into the audio portion of the timeline, edit and sync my audio to fit with hers, then publish that as a video to have our audio perfectly in alignment and lay it into the Official video’s timeline as audio…but no matter how many times I tried this process (which, trust me, is way easier than it sounds) it would not fucking work!
I later got it to work flawlessly in the ending of Dumbass Poets Society 3: The Return, but back to Channel Surfing, I kept trying like a bastard with no result.
So with the deadline looming, I took the lazy way out and just slid her audio file on top of my own which created the cheap fade.
This is one of the very few things that I would go back a fix George Lucas style if I could, because it really bugs the fuck out of me cause I know I can do it better with a little more time.

Credits: Here, just for shits and giggles, I felt it appropriate to revisit Reverend Tim 1 last time for a wee bit more fun.
Then, as my credits and thank you’s rolled, I decided to give @Woody_TESDFan and the @Shoothemoonband gang one more chance to shine and played a bit more of Part Of Life.
Thanks for the great song, lads!

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And that’s it gang!
That’s the entire breakdown for this behemoth!
Since you’ve all made it this far, I’ll give you the inside scoop on the next Typecast!
If you follow me on twitter (@ThatScoobyDoom & @TSDJAProduction) you’ll know I’ve been teasing that it would be late this month because it’s being “worked on”…that’s because Typecast 16 will be another PODCAST!!!
That’s right kids, @Fitzman73 is hard at work editing our next conversation together.
Look for it real soon!

Screencaps provided by @ThatJoser and @JoinedToFollow.

Share this post on Twitter with the hashtags #HowItHappened and #ChannelSurfing.

And finally!
The world is a hellish place full of a lot of assholes, do whatever is within your power to combat those pricks and spread a little bit of joy.
You never know how much it can help.
Thank you for reading, I’ll see you real soon right back here!